A little more involved, but probably the easiest, especially if you need or want to create a textless version later. Remove the grade from the duplicate clip. (Common for green-screen work so a colorist can adjust both elements separately probably overkill for most titling.)ĭuplicate the clip onto a higher track, do your titling work on the duplicate, and at the end, disconnect MediaIn1 and replace it with a transparent Background node with the same resolution. Its perfect for removing blemishes, painting out a piece of. 2) right click on the gray section in the gallery, right menu look for copy grade: preserve input sizing look in the manual for further info on the topic.
it will only reset color info, not DVE/Stabilization info.
("Bakes" in the grade and fakes Resolve out so it thinks it's a new piece of media you'd have to open the compound clip in a timeline to adjust the grade.)Īdd a second MediaOut node in Fusion, pipe a black-and-white matte into it, add an input on the Color page, and use it as a matte for all the relevant nodes. Its like an image clone or rubber stamp tool that copies pixels from one location to another. 1) in the node section switch the drop down menu from all to color. Resolve's image processing order roughly follows the typical Hollywood workflow:Įdit (transforms, transitions, most titling)Ĭompound the graded clip and do your Fusion work on the compound clip.
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